SOME SPEECHLESS THING
juried by griff williams
february 8 – march 6, 2020
Laurence Elias, Lisa Espenmiller, Jane Fisher, Laine Justice, Toby Kahn, Christine Meuris, Maggie Preston, Laura Van Duren, A.L. Woods
Laurence Elias, various works, 2018–19
LIST OF WORKS
Double Deca Specter-1, two assembled archival digital prints on laser-cut reflective acrylic sheets, with spray painting, 2019
Brightly Shine On, archival digital print on laser-cut reflective acrylic sheet, 2018
Penumbra-1, archival digital print on laser-cut reflective acrylic sheet, 2019
Double Deca Specter-2, two assembled archival digital prints on laser-cut reflective acrylic sheet, 2019
DeCanted, archival digital print on laser-cut reflective acrylic sheet, 2018
(Gold), archival digital print on laser-cut reflective acrylic sheet, 2018
DecaSol, archival digital print on laser-cut reflective acrylic sheet, 2019
DeclaRed-2, archival digital print on laser-cut reflective acrylic sheet, 2019
Alternative Reality, archival digital print and etching on laser-cut two-way mirrored acrylic sheet, on painted wood base (shown with display turntable), 2018
LISA ESPENMILLER
fucking ridiculous, ink on panel, 2017
are you fucking kidding me, ink on panel, 2017
who gives a fuck, ink on panel, 2017
motherfucker, ink on panel, 2017
give me a fucking break, ink on panel, 2017
JANE FISHER
The Nha Trang, Vietnam, Series, oil on panel, 2019
LAINE JUSTICE
Big Birds (Animal Composite) Scroll, Sumi ink, dye, crayon, watercolor, acrylic, sparkle gel pen, graphite, lama li lokta paper, mulberry paper, and satin on mulberry paper scroll, 2019
AnimalAnimalAnimal (The Carousel) Accordion Book, ink, dye, watercolor, gouache, crayon, gel pen, and graphite on cream 111 moleskine drawing paper in accordion notebook, 2018
TOBY KAHN
Acer Palmatum Shadow Study from the series “The Architecture of Plants,” black and white gelatin silver print, 2017
Wisteria and Persimmon Shadow Study from the series “The Architecture of Plants,” black and white gelatin silver print, 2014/15
2 Twigs #1 Shadow Study from the series “Things at Sunset,” black and white gelatin silver print, 2011/13
3 Twigs Shadow Study from the series “Things at Sunset,” black and white gelatin silver print, 2011/13
Diptych: Shadow Studies of Wisteria and Bougainvillea from the series “Things at Sunset” and “Architecture of Plants,” black and white gelatin silver print, 2017/19
CHRISTINE MEURIS
Trompe L'oeil 1, hand-blockprinted Japanese paper, thread, and bookbinding cloth, 2019
Material Culture: Glyph, Washi paper, thread, wire, and bookbinding cloth, 2019
Material Culture: Indigo Glyph, Washi paper, acrylic ink, thread, wire, and bookbinding cloth, 2019
MAGGIE PRESTON
Tuesday July 2 2019, archival pigment print on rag, 2019
Friday July 5 2019, archival pigment print on rag, 2019
Friday August 9 2019, archival pigment print on rag, 2019
0687, powder-coated steel, 2016
0898, powder-coated steel, 2016
LAURA VAN DUREN
Embracing Eva, ceramic, glycerin soap, vinyl, thread, 2020
Sprung a Leak, recycled furniture, glycerin soap, vinyl, thread, 2018
Pink Bite, recycled furniture, glycerin soap, vinyl, thread, 2018
A.L. WOODS
#25, acrylic on wood panel, 2019
#23, acrylic on wood panel, 2019
#18, acrylic on wood panel, 2018
#15, acrylic on wood panel, 2018
#9, acrylic on gesso board, 2018
Laine Justice, Big Birds (Animal Composite) Scroll, 2019
“What art is, in reality, is this missing link, not the links which exist. It’s not what you see that is art; art is the gap.”
Laura Van Duren, Pink Bite (in foreground), 2018; Embracing Eva (in background), 2020
Sculptures by Maggie Preston
All photos by Minoosh Zomorodinia